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Interview with Gordon Lazarus (United Front)

Reverse Records UK / August 2014

 

Interview with – Gordon Lazarus (United Front/W.A.R.Unit)

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BAND NAME:
United Front/W.A.R.Unit

BAND MEMBERS:
Gordon Lazarus (Past : Aaron Myrick, Dwayne Roberts)

COUNTRY:
United States

GENRE:
Death Industrial/Harsh Electronics/Dark Ambient/Experimental Hip Hop
Film Scoring/Media Audio Services created under W.A.R.Unit

DISCOGRAPHY:
Under U-731 :
U-731 + Camisole – Split digital download release 2013
United Front :
Mannheim – Digital Download e.p 2013
By All Means… – Debut Full Length CD – Black Plagve Records 2014

BAND WEBSITE:
Facebook : https://www.facebook.com/u731electronics
Bandcamp : http://unitedfront.bandcamp.com/releases

OTHER PROJECTS:
W.A.R.Unit

 

RRUK: Let’s start with your band name, what made you choose it for this project?

United Front: Originally I started creating music under U-731 towards the end of 2005 while working under the now defunct Defiler umbrella as a personal project though I had very little if any intentions of doing much of anything with it. However after losing all interest in Defiler and much of the what I was recording at the time my focus and motivations shifted greatly and grew along with various concepts and personal aspiration’s, eventually making it an importance with taking the project from a box full of cd-r’s I kept stashed away in my closet to creating and offering a sincere look within the current state of violence we are living in today.U-731 itself failed to bare much of a connection with the direction of the material I begin creating and with the short lived addition of two other members I found it more of a necessity to separate ourselves from any one specific idea of what it is United Front was and what it may eventually evolve into, finding it a must to ditch the connection to the historical Japanese Death camp and continue forward as an actual unit.

RRUK: How would you describe your sound and working process?

United Front: United Front’s sound carries various influences ranging from early Industrial, Power Electronics, and Hardcore/Oi punk to various underground styles of Hip Hop making each release differ and become that much more challenging in respects to the recording process, and what the outside listener may experience as a result. As a whole the entire process is incredibly difficult and takes a great deal of time to complete. Since I sold my pc I use mainly an old Sony TC-377 for laying down the ground work for material before bouncing sounds onto hard disk where they are later rendered onto cd-rs and dumped into a software based sequencer for further layering and track formation. This process though tedious gives material a lo-fi almost untouched sound, something I have always admired about early Power Electronics I believe still carries a great deal of relevance when dealing with any kind of analog recording…

RRUK: About the instruments and technology you use to produce the sound, do you constantly update them, or are old synths and the like still good for your purposes?

United Front: The equipment I own varies based on output and affordability however my work space consists mostly of old second hand gear I have collected over time along with some newer pieces I feel may add to what I am trying to accomplish sound wise within both of my projects. In actuality I don’t have much aside from the following I tend to use on a regular basis :

Korg MS2000(B)
KORG Monotron Delay
Arturia Microbrute
Realistic DX-200 5 Band Communications Receiver
Ampex 910 (Reel to Reel recorder)
Sony TC-377 (Reel to Reel recorder)
Line 6 POD HD Pro X Rackmount Guitar Multi-Effects Processor
Software (sequencing):
Pro Tools studio

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RRUK: Who or what influences you and your sound?

United Front: In terms of music Genocide Organ, Survival Unit, Streicher, Con-Dom, old Skinny Puppy, Psyche, Clock DVA, Public Enemy, and Gang Starr have remained some of if not the most influential pieces within the project especially W.A.R.Unit regarding approach but I try and separate these elements away from the more crucial development of either United Front or W/U, both taking a great deal of inspiration from personal experiences, political slavery, cultural collapse, sub-urban violence, etc…

RRUK: With regards to electronic/experimental artists, which band did you discover first? How did you come across them?

United Front: Not long after graduating high school is when I first heard any sort of experimental music thanks to a few close friends introducing me to music from such artists as SPK, Skinny Puppy, Throbbing Gristle, Crash Worship, and Psyche. Not long after hearing ‘Bites’ (SP) I started collecting as much Industrial as possible and eventually stumbled across projects as The Grey Wolves, Genocide Organ, Club Moral, SPK, and Whitehouse, though Skinny Puppy was the spark that lit further curiosity into seeking out more extreme forms of Industrial music.

RRUK: A lot of “noise” artists tend to release 30+ albums per year. What are your thoughts regarding this rushed approach?

United Front: I am sure some people will hate me for saying this but I think with so much music flooding an already over saturated noise scene an artist who’s dumping tons of albums into a full pot is doing nothing more than making it difficult for artists who are releasing good quality music to be heard. For instance if you look at any one on line distro, you will notice projects who are releasing top notch material are focused not on quantity but quality whereas the average ‘noise dude’ only cares about making a name for themselves by working with everyone they can in as short of time as possible rather than focusing on making actual heart felt releases. For the most part however I don’t go out of my way to keep up with who’s doing what, I rather spend time working on music with a natural yet timely approach without burning myself or others out with my project/projects, people eventually grow tired of people who do too much all at once I’m sure.

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RRUK: Do you have a preferred format for your work, e.g. vinyl, cassette, CD, download. And is there a format for which you would never use?

United Front: Ha, well I have a major vinyl fetish; same can be said with cassettes though Cd’s are much more conventional and cheaper to produce in comparison. When it comes to releases I am investing in or what format a label may choose to release my work under I am not bias.. Most formats serve their purpose, whether it be cassettes or vinyl for audiophiles or simple cd-r and digital downloads for people as myself who don’t care how our work is being released as long as it’s out their regardless of format and I can focus on whatever else it is I may have lined up at the time..

RRUK: What is your opinion in particular of Power Electronics, Noise, and Japanoise, looking at their main artists like Merzbow, Masonna?

United Front: I have never cared enough about Japanese noise to give much of an opinion, though I do admire artists who are doing and bringing something different to the table, S.T.A.B Electronics being a personal favorite currently within the P.E genre.. Keith’s work has always contained some of the most authentic concepts and sounds I have heard put to tape, there are others doing equally amazing things but I don’t think noise and Power Electronics should be slotted under the same banner, noise is just a bit to constricted and indirect whereas Power Electronics has no limits regarding subject to overall output.

RRUK: I would like to ask you if you are interested in which kind of people listen to your sound, I mean, how do you imagine him/her to be?

United Front: In a since I create music for open minded persons so I believe it is important for a project or bands audience to have a connection with the artist, but I have never tried to imagine what the person on the other side of the fence may actually be like. To be honest with you I am happy knowing people are paying attention enough to follow what it is I am doing with United Front, everything else is of little or no concern…

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RRUK: Women seem to be a main focus in the noise/PE scene: humiliation and bondage – in the form of album covers, themes, and track titles. Are you interested in deviated or perverted sexual behaviors? If so, what attracts you so much in sexual violence and language?

United Front: I have never been much of a fan or into the whole controlled sexual assault/bondage deal with women or men, I am more interested in the suppressive nature and the overall violence of sexual deprivation and the degrading factor in terms of self-asphyxiation, the factors involving pain and harm as enjoyment, infliction and the tolerance a person has built both physically and mentally to enjoy these types of behaviors. Other than this I don’t get my rocks off seeing men and women being humiliated or excepting this as being normal..

RRUK: Are you interested in serial killers? Do you think they are a typical product of 20th century society, and what is your opinion about in particular American “serial killer culture” ?

United Front: Living in America I fear there is a lot more going on behind the curtain then we as a dismissive culture would be so eager to except. For instance we jump in fear at the thought of a person walking into a school harming children but yet we are the same culture who allows these situations to happen with over exposing details of such crimes at the media’ disposal. Now think about the violence in other countries such as Russia to the beheadings of Iran who both experience brutality on a daily basis why we choose to sit comfortably on our couches watching the idiot box eating junk food caring only on the mellow drama we have somehow excepted as normal when there is far more going around us. Serial killers have never been an interest, you can only read so many books and see so many documentaries before realizing the men and women committing these crimes should have never been imprisoned more so hospitalized and possibly treated for some deep psychological trauma experienced at some point in their lives. Whatever the case may be I think the whole true crime thing has ran its course; people have much more to focus on then a handful of victims when there are millions being targeted as we speak…

RRUK: If you could perform live anywhere in the world… where would it be?

United Front: Pretty much anywhere in the middle east where war is a promenade commodity to society when based on standing up for what they believe in, weather viewed as right or wrong they are fighting a fight we as non-Muslims will never understand nor will we have the strength to win, as a society who fights for their beliefs have nothing to lose or fear..

RRUK: With regards to other sound projects, is there any country in particular that inspire you more than others?

United Front: Answered in the previous question.

RRUK: Do you listen to different types of music? A secret Elvis collection, perhaps?!

United Front: I actually do enjoy Elvis and I tend to listen to country and old 80’s music a lot more these days than anything else. Hank III, The Reverend Horton Heat, Phil Collins, Crass, TSOL, and Garcia have been stuck in my cd player for months now..

RRUK: What first, chicken or the egg?

United Front: [chuckles] Well, I have thought about fuckin’ some chickens before. If you want to have a good time and you need some pussy, you can cut that chicken’s head off, stick your dick in that ass of that chicken, and that damn chicken’ll go crazy on your ass and go “Caaaaah!”.

RRUK: “Are you accusing me of fucking a chicken, mother fucker?!”. Anything else you would like to add here?

United Front:Never give up, never give in……

RRUK: Well Said. Cheers for that, Gordon. Fight the power…

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http://www.malignantrecords.com/releases/4759

 

RGERGERG

 

Released/New Releases | Reverse Records UK

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>>> UNDER CONSTRUCTION (New physical images & info to be added) <<<

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(Image featuring RRUK releases 001 – 009)

>>> UNDER CONSTRUCTION (New physical images & info to be added) <<<

 

RRUK001 | KONTROLLE – “Survivalist” | Vinyl CD/Card | Ltd Edition: 350 / £8.00

RRUK002 | WHITE WALLS – “Fear And Addiction” Aktion #I” | Mini CD | Ltd Edition: 250 / £7.00

RRUK003 | INHIBITION – “Waiting (Blindfold, Bound & Waiting)” | Mini CD | Ltd Edition: 60 / £7.00

RRUK004 | INHIBITION & KYLIE MINOISE – “Aktion Medical” | Mini CD | Ltd Edition: 60 / £7.00

RRUK005 | DRY GREED / CONTAGIOUS ORGASM / WHITE WALLS / [GONE DARK] BLEACH / KADAVER – “Aktion Medical II” 5-Way Split Album | Mini CD | Ltd Edition: 100 / £7.00

RRUK006 | WHITE WALLS – “This Is Not My Face” | CD Digipak | Ltd Edition: 100 / £10.00

RRUK007 | INHIBITION – “Dead Spot [Live Aktion #I/II/III]” | Mini CD | Ltd Edition: 60 / £7.00

RRUK008 | WHITE WALLS – “Madness & Murder” | CD Digipak | Ltd Edition: 100 / £10.00

RRUK009 | TORTURING NURSE & INHIBITION (A Sound Assault Dedicated To Rudolf Schwarzkogler) | Mini CD | Ltd Edition: 60 / £7.00

RRUK010 | WHITE WALLS – “Broken” | Mini CD | Ltd Edition: 100 / £7.00

RRUK011 | SATORI – “The Sudden Realisation That All Is Lost” | Mini CD | Ltd Edition: 100 / £7.00

RRUK012 | K2 – “Epilepsy of Democracy” | Mini CD | Ltd Edition: 100 / £7.00

RRUK013 | WHITE WALLS – “Issues” | Mini CD | Ltd Edition: 100 / £7.00

RRUK014 | WHITE WALLS – “Malattia Mentale” | CD Digipak | Ltd Edition: 100 / £10.00

RRUK015 | WHITE WALLS – “The Devil Giving Death Power Over Life / Homage To Joel-Peter Witkin” | CD Digipak | Ltd. Edition: 100 / £10.00

RRUK016 | WHITE WALLS – “A sickness of the mind” | CD Digipak | Ltd. Edition: 100 / £10.00

RRUK017 | WHITE WALLS – “Hidden Reverse” | CD Digipak | Ltd. Edition: 100 / £10.00

RRUK018 | TORTURING NURSE / INHIBITION / FILTH TURD (Split) | CD | Ltd Edition: 100 / £10.00

RRUK019 | ARS A.V.I. & INHIBITION – ‘Don’t Steal My Soul, Lady” (COLLABORATION) | CD | Ltd Edition: 100 / £10.00

RRUK020 | INHIBITION – “Nurse Divine” | Mini CD | Ltd Edition: 100 / £7.00

RRUK021 | UNITED ELECTRONICS – “One Empire” | CD | Ltd Edition: 100 / £10.00

RRUK022 | INHIBITION – “Homage To Gunter Brus / Kurt Kren” | Mini CD | Ltd Edition: 100 / £7.00

RRUK023 | INHIBITION – “Homage To Hans Bellmer” | CD | Ltd Edition: 100  / £10.00

RRUK024 | TRANSGRESSIVE COLLECTIVE | Unreleased Audio & Visual by White Walls / Inhibition / Deutsche Christen / Unit 731 | DVD Steel Box / Including Rare Business Card single track audio by White Walls | Ltd Edition: 50 / £15.00

 

Contact: recordsreverse@gmail.com

 

To place an order simply send a message to recordsreverse@gmail.com Include the release number “RRUK002″ for example. Plus your postal address. We will get back to you the same day, and your order will be sent out within 3 working days. T-shirts within 7 days.

RGERGERG

 

Interview with Anthony Kuchta III (VITRIOL GAUGE)

Reverse Records UK / July 2014

Interview with Anthony Kuchta III (Vitriol Gauge)

fhhddjdj(Photography by Marc Church)

 

BAND NAME: Vitriol Gauge

BAND MEMBERS: Anthony Kuchta

COUNTRY: USA

GENRE: Death Drone/Power Electronics/Noise

DISCOGRAPHY:

Binding Ritual (2012) Online Release

Passion Transplant (2013) Online Release

Black Sounds Split Release W/ Obiekt 172 (2013) Online Release

Easily Forgotten Split Release W/ Autumus (2013) Limited Tape Release

Compilations: We Ride Volume 1 (Brainrape Records)

S3CR3T SØCI3TY Volume 2 (Owlcave Records)

2 Upcoming releases in 2014

BAND WEBSITE: https://Facebook.com/VitriolGauge / http://iffwreckordsdetroit.bandcamp.com/

OTHER PROJECTS: none (currently)

rhrehetjetjetjet(Photography by Leah McGough)

 

RRUK: Let’s start with your band name, what made you choose it for this project?

Anthony: Anyone who has known me for a decent amount of time will tell you that am a bitter person. I also tend to have a pretty bleak, cruel and coldly logical thought process on just about everything. I used to use physical violence at shows or working out to release that pressure, now I try to use creating music to do that….I release that pressure, and a gauge reads pressure. So I combined the two, it sounds good to me.

RRUK: How would you describe your sound and working process?

Antony: As for my sound, I have been described by other people as having a Japanoise sound with Death Industrial or Power Electronics bite to it. Others say its like a harsh drone because some of my stuff doesn’t change to much through out a track. Since I’m not Japanese I don’t label myself as such, I consider myself a combination, So I say Death Drone or Power Electronics. As for my working process…I turn my gear on? I guess I don’t fully understand that question. Although when I turn my gear on, its usually when I’m agitated about something, I don’t usually record when I’m in a great mood, considering the mood of my music, putting a positive energy into it seems weird.

RRUK: About the instruments and technology you use to produce the sound, do you constantly update them, or are old synths and the like still good for your purposes?

Anthony: One of my best musical friends (Richard Kik) is a total gear slut, and he helped set me on my path and taught me a lot. Because of that I will admit I like having a lot, but I tend to use the same tools and occasionally add onto that sound with different effects. My main setup is an analog synth, a sampler, and a simple drum machine. I put those 3 things through any number of effects be it distortion reverb or delay.

 etjetjjetheetj(Photography by Leucosia Nox)

 

RRUK: Who or what influences you and your sound?

Anthony: I take influences from a lot of things… Life situations, Movies, Documentaries are a big part of it, I am a huge horror movie nut, and a lot of samples come from that stuff. As for musical influences, some of my biggest are stuff like Brighter Death Now, Operation Cleansweep, Converge, and The Locust.

RRUK: With regards to electronic/experimental artists, which band did you discover first? How did you come across them?

Anthony: Well as you can probably tell from the influences I gave, Its a varied answer. I have been into aggressive music since I can remember, I started off by listening to metal, then I moved into the hardcore scene. I dropped out of that around when I was 21 and started to get really into industrial, but I still had that pissed off hardcore attitude that I was trying to fill the void with. Then I found stuff like Brighter Death Now and Atrax Morgue and I have never looked back. There is something about that…just seething dark deep angst that I completely connected with.

RRUK: A lot of “noise” artists tend to release 30+ albums per year. What are your thoughts regarding this rushed approach?

Anthony: I don’t really understand it, I know its a big thing in the harsh noise world, but its not for me. I sometimes think I take to long to release stuff, but everyone has there own pace, and I want to be happy with what I show other people.

RRUK: Do you have a preferred format for your work, e.g. vinyl, cassette, CD, download. And is there a format for which you would never use?

Anthony: I would release on anything really, most of what I have done thus far has been online. I just don’t have the knowledge or know how to do much physical releases at the moment, I would love to do more physical releases, point me in the right direction please!

RRUK: What is your opinion in particular of Power Electronics, Noise, and Japanoise, looking at their main artists like Merzbow, Masonna?

Anthony: I enjoy both Merzbow and Masonna. Not all of there works obviously (because there are to many to bother with). I prefer when people actually use instruments though. Working off of just a laptop, like Merzbow has switched to, really really bothers me. I don’t like people that perform live using merely a computer, its lifeless and doesn’t require much effort beyond the initial creation of the track.

RRUK: I would like to ask you if you are interested in which kind of people listen to your sound, I mean, how do you imagine him/her to be?

Anthony: I don’t think about it to much, I am always happy to hear and learn about the people that do appreciate it but its not something that’s on my mind. I make the music for me first, and for others second. Its my catharsis.

RRUK: Women seem to be a main focus in the noise/PE scene: humiliation and bondage – in the form of album covers, themes, and track titles. Are you interested in deviated or perverted sexual behaviors? If so, what attracts you so much in sexual violence and language?

Anthony: I am guilty of falling into that stereotype. I consider myself a dominant in that area, and have a passion for Shibari. Also I don’t trust women as far as I can throw them…Cant live with em, cant live with out them I suppose.

RRUK: Are you interested in serial killers? Do you think they are a typical product of 20th century society, and what is your opinion about in particular American “serial killer culture” ?

Anthony: Oh yes, I think they are incredibly interesting, I constantly watch programs or read about them. I don’t know how anyone couldn’t find the subject interesting. Bizarre and violent crimes intrigue me. My personal favorite is Ed Gein (not technically a serial killer but, memorable none the less).

RRUK: If you could perform live anywhere in the world… where would it be?

Anthony: I would like to play some place in Germany, I feel I would be well received and I have always wanted to go there.

reheherjjj(Photography by Leucosia Nox)

 

RRUK: With regards to other sound projects, is there any country in particular that inspire you more than others?

Anthony: Not in particular, every place has a couple great projects to choose from. Pissed off people are all over the world, you just have to look for them.

RRUK: Do you listen to different types of music? A secret Elvis collection, perhaps?!

Anthony: I grew up in the 90s, I love Ace of Base, Ha! In all seriousness though, I tend to listen to mostly Industrial, Noise, Post-Punk and Hardcore. But if you looked through my hard drive I’m sure you would find a couple “wtf’s” in it.

RRUK: What first, chicken or the egg?

Anthony: Chicken

RRUK: Anything else you would like to add here?

Anthony: Speak your mind, its the only real freedom anyone has anymore, if people don’t like it, they can choose not to listen.

RRUK: Cheers Anthony. All the best with your upcoming releases!
(Be sure to check out the video links underneath / Play it loud)

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RGERGERG

Interview: K. Mitchell [RRUK]
2014 Reverse Records UK

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New Releases (July 18th 2014) Reverse Records UK

RRUK001 | KONTROLLE – “Survivalist” | Vinyl CD/Card | Ltd Edition: 350
£8.00

RRUK002 | WHITE WALLS – “Fear And Addiction” Aktion #I” | Mini CD | Ltd Edition: 250
£7.00

RRUK003 | INHIBITION – “Waiting (Blindfold, Bound & Waiting)” | Mini CD | Ltd Edition: 60
£7.00

RRUK004 | INHIBITION & KYLIE MINOISE – “Aktion Medical” | Mini CD | Ltd Edition: 60
£7.00

RRUK005 | DRY GREED / CONTAGIOUS ORGASM / WHITE WALLS / [GONE DARK] BLEACH / KADAVER –
“Aktion Medical II” 5-Way Split Album | Mini CD | Ltd Edition: 100
£7.00

RRUK006 | WHITE WALLS – “This Is Not My Face” | CD Digipak | Ltd Edition: 100
£10.00

RRUK007 | INHIBITION – “Dead Spot [Live Aktion #I/II/III]” | Mini CD | Ltd Edition: 60
£7.00

RRUK008 | WHITE WALLS – “Madness & Murder” | CD Digipak | Ltd Edition: 100
£10.00

RRUK009 | TORTURING NURSE & INHIBITION (A sound assault dedicated to Rudolf Schwarzkogler)
Mini CD | Ltd Edition: 60 |
£7.00

RRUK010 | WHITE WALLS – “Broken” | Mini CD | Ltd Edition: 100
£7.00

RRUK011 | SATORI – “The Sudden Realisation That All Is Lost” | Mini CD | Ltd Edition: 100
£7.00

RRUK012 | K2 – “Epilepsy of Democracy” | Mini CD | Ltd Edition: 100
£7.00

RRUK013 | WHITE WALLS – “Issues” | Mini CD | Ltd Edition: 100
£7.00

RRUK014 | WHITE WALLS – “Malattia Mentale” | CD Digipak | Ltd Edition: 100
£10.00

RRUK015 | WHITE WALLS – “HOMAGE TO JOEL_PETER WITKIN” | CD Digipak | Ltd. Edition: 100
£10.00

RRUK016 | WHITE WALLS – “A sickness of the mind” | CD Digipak | Ltd. Edition: 100
£10.00

RRUK017 | WHITE WALLS – “Hidden Reverse” | CD Digipak | Ltd. Edition: 100
£10.00

RRUK018 | TORTURING NURSE / INHIBITION / FILTH TURD (Split) | CD | Ltd Edition: 100
£10.00

RRUK019 | ARS A.V.I. & INHIBITION – ‘Don’t Steal My Soul, Lady” (COLLABORATION) | CD | Ltd Edition: 100
£10.00

RRUK020 | INHIBITION – “Nurse Divine” | Mini CD | Ltd Edition: 100
£7.00

RRUK021 | UNITED ELECTRONICS – “One Empire” | CD | Ltd Edition: 100
£10.00

RRUK022 | INHIBITION – “Homage To Gunter Brus / Kurt Kren” | Mini CD | Ltd Edition: 100
£7.00

RRUK023 | INHIBITION – “Homage To Hans Bellmer” | CD | Ltd Edition: 100
£10.00

RRUK024 | TRANSGRESSIVE COLLECTIVE | Unreleased Audio & Visual by White Walls / Inhibition / Deutsche Christen / Unit 731 | DVD Steel Box / Including Rare Business Card single track audio by White Walls | Ltd Edition: 50
£15.00

 

Contact: recordsreverse@gmail.com

Thanks to the hidden reverse who have supported my projects/labels over the years….

Thanks to the hidden reverse who have supported my projects/labels over the years….

Jennifer (Kitty) Lubert | Steve Bacon (Stark) | Jeff Vincze | Lalle Jäderstrand | Alexander Simon | Christian Burmester | Steffen Torge | Kimihide Kusafuka (K2) & Saori (Koyubi) Takano | Junky / Shu Ride / Youki and all of Torturing Nurse | Michael Z (Kadaver) | Edel Braun (Dry Greed) | Philipp Strobel | Antonio Landa | Calvin Chan & Eddie Chan (Other Musick) | Stephan (BlackTrax) | John Roth | René Rousseau | Greg Zilla | Gx Jupitter Larson | Sophie Tristesse | Sia Sia | Ryukei Ito | Gruffallo Paul | Jason B Bernard (Peripheral Records) | Mike Finklea (Striations/Nefarious Activities) | Jim Breedveld | Zebra Mu (Quagga Curious Sounds) | Fecalove | Nana-Rape Blossom | Ulex Zane (Streicher) | Spike Vincent | Keith G Finna (S.T.A.B. Electronics) | Rolf OxDx (Orgasm Denial) | David E Williams | SHIFT (Unrest Productions) | Sektion B | Christopher Groves | Lynn & Mikey | Trevor Brown | Matt Scott | Alex & Natasha (Ambassador 21) | Vice Martyr |(Hateful Abandon) | Romain Slocombe | Kristian R Carter | Sin Die | Hiroshi Hashimoto (Contagious Orgasm) | Patrick Mackay | Jennifer Wallis | Anthony S Kutchta | Martin Bladh | Roger Karmanik (BDN) | Tim Drage | Rupert Bell | Dolorism | Domina Obscura | Alice Kundalini | John Westerhof | Sonia Dietrich | Modular Lazvig | Wooly Woolaston | David Vercruysse | Gerald Tan (4IB Records) | Fe Male Fou | Pete Hope | Richard Ramirez (Black Leather Jesus) | Trev Ward (Grey Wolves) | Levy Daal | Lee Howard (Iron Fist Of The Sun) | Carmen Gomez |Scott Ferry & Ammut Aisilinn | Eldar Industrial | Dave Kirby (Satori) | Robert W. Scope | Akihiro Shimizu (Third Organ) | Rosemary Michelle Malign | Hikiko Mori | Ryan Tomasello | Derek Cozier | Mario W. Gacy | Hiroshi Hasegawa (Astro/C.C.C.C) | NRYY | Tomoaki Soma | Roger Rotor | Lea Cummings (Kylie Minoise) | Viktoriya Natoloka (3Music) | Ros A (ARS A.V.I.) | Paul Kavanagh | Clark Bongiovanni | Marushka Kudla | Joey Perez | Thomas Fastforward | Isomer | Vertigo Neogama | Katsuyoshi Kou (Incapacitants) | Thomas Havales | Richard Martin | Yuen K. Wa | Zirta Val | Chav Stabber | Flithy Turd | BBBlood | V.I.K.I. | Cum Function |

+ And thanks to anyone I may have missed out….

- Keith Mitchell
| RRUK | Final Trauma Recordings | WHITE WALLS | INHIBITION | DC | KONTROLLE | UNIT 731 | UNITED ELECTRONICS

Current Releases | Reverse Records UK (WHITE WALLS, SATORI, K2, TORTURING NURSE, KYLIE MINOISE, INHIBITION, DRY GREED, KADAVER, CONTAGIOUS ORGASM, [GONE DARK] BLEACH, KONTROLLE)

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(Image featuring RRUK releases 001 – 009)

 
RRUK001 | KONTROLLE – “Survivalist” | Vinyl CD/Card | Ltd Edition: 350
£8.00

RRUK002 | WHITE WALLS – “Fear And Addiction” Aktion #I” | Mini CD | Ltd Edition: 250
£7.00

RRUK003 | INHIBITION – “Waiting (Blindfold, Bound & Waiting)” | Mini CD | Ltd Edition: 60
£7.00

RRUK004 | INHIBITION & KYLIE MINOISE – “Aktion Medical” | Mini CD | Ltd Edition: 60
£7.00

RRUK005 | DRY GREED / CONTAGIOUS ORGASM / WHITE WALLS / [GONE DARK] BLEACH / KADAVER –
“Aktion Medical II” 5-Way Split Album | Mini CD | Ltd Edition: 100
£7.00

RRUK006 | WHITE WALLS – “This Is Not My Face” | CD Digipak | Ltd Edition: 100
£10.00

RRUK007 | INHIBITION – “Dead Spot [Live Aktion #I/II/III]” | Mini CD | Ltd Edition: 60
£7.00

RRUK008 | WHITE WALLS – “Madness & Murder” | CD Digipak | Ltd Edition: 100
£10.00

RRUK009 | TORTURING NURSE & INHIBITION (A sound assault dedicated to Rudolf Schwarzkogler)
Mini CD | Ltd Edition: 60 |
£7.00

RRUK010 | WHITE WALLS – “Broken” | Mini CD | Ltd Edition: 100
£7.00

RRUK011 | SATORI – “The Sudden Realisation That All Is Lost” | Mini CD | Ltd Edition: 100
£7.00

RRUK012 | K2 – “Epilepsy of Democracy” | Mini CD | Ltd Edition: 100
£7.00

RRUK013 | WHITE WALLS – “Issues” | Mini CD | Ltd Edition: 100
£7.00

RRUK014 | WHITE WALLS – “Malattia Mentale” | CD Digipak | Ltd Edition: 100
£10.00

 

 

CONTACT: RECORDSREVERSE@GMAIL.COM

 

To place an order simply send a message to recordsreverse@gmail.com Include the release number “RRUK002″ for example. Plus your postal address. We will get back to you the same day, and your order will be sent out within 3 working days. T-shirts within 7 days.

https://recordsreverse.wordpress.com/released/

RGERGERG

New Releases: WHITE WALLS | SATORI | K2 (June 22nd – 2014) Reverse Records UK.

New releases for June 2014….

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RRUK010 | WHITE WALLS – “Broken” | Mini CD | Ltd Edition: 100
£7.00

RRUK011 | SATORI – “The Sudden Realisation That All Is Lost” | Mini CD | Ltd Edition: 100
£7.00

RRUK012 | K2 – “Epilepsy of Democracy” | Mini CD | Ltd Edition: 100
£7.00

RRUK013 | WHITE WALLS – “Issues” | Mini CD | Ltd Edition: 100
£7.00

RRUK014 | WHITE WALLS – “Malattia Mentale” | CD Digipak | Ltd Edition: 100
£10.00
Photo’s and further info to be added over the coming days…

To place an order simply send a message to recordsreverse@gmail.com Include the release number “RRUK002″ for example. Plus your postal address. We will get back to you the same day, and your order will be sent out within 3 working days. T-shirts within 7 days.

ALL RELEASES AVAILABLE HERE:  http://recordsreverse.wordpress.com/released/

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